Why do you take pictures of the same scenes around the village all the time, asks the wife.
Because the light is different, says the shoot shadow master.
Also because the camera is different. (It’s a Leica M3 this time.)
It’s a different film. It’s Venus 800 of a particular vintage (expired 2016).
The shoot shadow master is wise.
The clouds are luminious – the shoot shadow master looks and looks again.
The shoot shadow master finds different things to look at.
The shoot shadow master frames nature.
The shoot shadow master dreams of people.
All hail the shoot shadow master…
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Published by eddietay
I am a poet and an educator. I have come to realise in recent years that the act of writing poetry has trained my mind to be always on the prowl for everyday moments that might be suitable material for my writing.
Hence, I turn to photography in order to record some of these moments. I soon discover that the photographs I am taking, using film rangefinder cameras which are more discreet and hence suitable to the task at hand, are in the tradition of street photography.
In search of poetry, I have become a street photographer.
What can Hong Kong teach me about street photography, and what can street photography teach me about Hong Kong?
This blog seeks to address that question.
View all posts by eddietay
Hong Kong Lucida 