Every single person is an immersion.
Sometimes there’s dialogue.
Sometimes not.
We tend to our own.
Look within ourselves.
And hope it is enough.
Camera: Leica M6
Lens: Voigtlander Nokton Classic 35mm f/1.4 SC
Film: Kodak BW400CN
Month: March 2015
Art of Buying
These are poses we adopt.
We pause.
We think.
Should I?
I want! I want!
Do I need this?
We have an expertise.
We need a poultice.
I need this.
I want this.
Yum.
Buying, after all, is an art we’re good at.
Camera: Leica M6
Lens: Voigtlander Nokton Classic 35mm f/1.4 SC
Film: Kodak BW400CN
Night Vision
A vision of the night.
There’s usually nothing to see.
Still, we try.
It’s a time for reflection.
We try to think.
We sit.
And rest.
Camera: Leica M6
Lens: Voigtlander Nokton Classic 35mm f/1.4 SC
Film: Ilford XP2 400
Changing Views
The geometry keeps changing.
Hong Kong is a good place to be a flaneur.
Take a step and the view changes itself.
Lots to absorb.
You could stand at the same spot.
The landscape will change very quickly.
It’s easy to enjoy the view.
You seek out order to square the circles.
Hong Kong will come to you.
And so will the rest of the world.
Camera: Leica M6
Lens: Voigtlander Nokton Classic 35mm f/1.4 SC
Film: Ilford XP2 400
How We Live with Concrete
I’m fascinated by what you could see when coming down the Mid-Levels Escalator at Central in Hong Kong.
You could see lots of small businesses, restaurants and shops.
You could also see unruly leaves and branches against grey concrete buildings.
They’re part of human activity.
Things happen, though they don’t always announce themselves.
Life is understated sometimes.
At other times, it is in your face.
This is how concrete lives.
How we live with concrete.
The unruly beauty of nature and concrete.
We can’t help but look again and again.
Camera: Leica M6
Lens: Voigtlander Nokton Classic 35mm f/1.4 SC
Film: Ilford XP2 400
Visions and Revisions (2 of 2)
We look again.
We are on a quest.
Where are the keys to our lives?
We look up.
We look again.
Sometimes we do not look.
We’re too involved in ourselves.
And then you’re challenged by a look.
You look elsewhere.
Anything to recompose yourself.
Camera: Contax TVS II
Film: Fuji Superia 400
Visions and Revisions (1 of 2)
I happened to chance on a folder I tucked away a few months back.
I remember not being satisfied with the pictures.
I though the colours were a bit off.
Then I looked again and decided they’re pretty okay after all.
This is Hong Kong.
This is Hong Kong.
This is Hong Kong.
Sometimes a door opens.
And we see ourselves as we truly are.
Camera: Contax TVS II
Film: Fuji Superia 400
Hong Kong Lucida 