A Thinking Street Photography Site
Am taking short walks around the village these days, given the general advice to not go out given the Covid-19 crisis.
Homely.
Neat.
Vintage.
Renovation.
I’ve gotten used to these alleys. I’ve forgotten it’s a maze.
The village cha chaan teng.
Property business.
Another way into the village.
Flip-flop towing service. I hope I’ll never have to use the service. I have the number on my phone. Just in case.
Road under construction.
Scenes of nothing in particular. But these non-things get interesting if one really looks.
There are little guides to behavior.
Precarious parking spot – the art of making do.
This village seems to have a particular issue.
Work in progress.
Nature and human presence.
A quiet stroll at the village beach.
Some are going for a paddle.
Not crowded at all.
Quiet morning.
Quiet chat.
It’s all quiet.
No one’s around.
No conversation.
No one’s crossing the bridge.
No one at the bench.
Entrance to nowhere.
No one is getting married at the registry.
No one is having fun.
A gloomy day, it’s been a gloomy year.
Hopefully, the only way left is up.
According to the serial numbers, my Leica M6 was made in 1987 and lens in 1957.
The lens has its distance scale in feet only. It’s a bit annoying for me as I think in metres. Oh well. This teaches me to check before buying. But there’s a broad depth of field to work with when zone focusing at f16 so that’s fine.
The lens and camera were a good combined bargain way back in 2011. I remember walking into a shop in Singapore. It’s either at Peninsula Plaza or Peninsula Shopping Centre – my favorite place for vintage cameras and electric guitars. I asked for the lowest-priced Leica M6 and 50mm lens. Didn’t like the first option and so I went with the second. They came with a 6-month shop warranty.
The prices for both the camera and lens had increased over the years. Could you say the same for digital cameras? A digital camera is like a smartphone these days – there’s built-in obsolescence at work.
There’s no such thing as a purely analog process anymore, especially if one is scanning the negatives and displaying the images on the Internet. I can’t help but tweak a little bit for contrast.
Film photography is about slowing down and understanding the light. The Leica M6 has a meter I can check to ascertain the range I can work with.
Zone focus, decide between f8, f11 or f16 depending on whether the scene is in the sun or shade and snap. It’s pure poetry – camera and lens and the mind are one.
We all need to find a sense of calm in a time of Covid-19. (My second-hand Washburn HB35, a semi-hollow guitar, is also getting a regular workout: “Mama take this badge off of me … I can’t use it anymore … it’s getting dark, too dark to see…” )
Zone focusing is actually faster than auto focusing with my digital camera. I missed a few shots with the Canon M50 as the lens hesitates once in a while and takes a little too long to decide.
Neat display.
In the midst of things.
I aimed at the wall and waited for someone to walk past.
Selfie on glass display. This was outside my go-to place for film development, lenses and cameras, where I got the film (Ilford XP2 400) processed right after this shot. It’s sunrisephotohk. You could find it on FB.
There’s a Leica M3 in there for a nice price. The ground rule is you put down the cash and go for a spin with the camera and develop the film right there to check for issues. If you don’t like what you see, you get your cash back.
There’re other pricier places in Hong Kong you could go to in Mongkok and Tsimshatsui and they generally give you a 6-month or 1-year shop warranty. But a Leica M is a simple mechanical thing, relatively speaking, and generally serviceable. They are built to last.
I could pair the current lens with the Leica M3, and the M6 will be a permanent home for my Voigtlander 35mm Nokton Classic. Hmm…
The nifty fifty with an APS-C camera is useful for street photography because it’s either a short 80mm tele with a regular EF-EOSM adapter (useful if you’re a shy street shooter) or a 56mm (50 x 1.6 x 0.71) with the Viltrox speed booster.
56mm is not too near but near enough to be noticed.
I’m with the speed booster with 56mm today.
I did try to establish eye contact. Some smiled. Some glared.
Many are unconcerned.
He sits there often. Today he smiled at me and asked if he’s better looking with or without the mask.
A bit creepy. It’s a plumber’s advert.
Just a hint of human presence.
Someone did this.
Placed these here.
Organised these.
Lived here.
Kept stuff here.
Where’s the owner?
Why this?
Trying out a new lens… wifey was braving the heat at Sham Shui Po with me.
Trying to get into the flow. I think I was spotted.
Hard at work.
Was a bit self-conscious with wifey next to me but I did a good job of ignoring her.
Hot day.
I need a better camera bag… one with an external mesh pocket for a water bottle.
Testing.
I can see wifey melting in the hot sun. Am ignoring her.
Listing them down.
Wifey is checking the time on her watch. Am ignoring her.
At rest.
A 35mm lens gives me a 56mm view with the crop factor. Ok lah.
Maybe I should get that 7Artisans 50mm lens for a short telephoto 80mm equivalent.
Wait… where’s wifey…
This is an image that makes visual sense.
It’s nice and neat and there’s symmetry in the two pairs, and one more on the right corner. The centre is anchored by the signboard.
This one is odd.
You can’t see the subject. But that makes it interesting, I think…
Received funding some time ago to work on a book.
Am taking walks and doing some thinking.
It’s a street photography-based research.
Prepping my cameras.
It’s a social documentary of glimpses…
Thinking about stuff.
And running at times with quirky ideas.
Hong Kong Lucida 