A Thinking Street Photography Site
Sonny boy has this great idea about trying out the beef ball noodles at Haiphong Road Temporary Market which has been there for 30 odd years.
So yes – I’ve an excuse to whip out the camera. The scene was quiet at first, with a guy eating quietly and a lady appearing on the left.
Then I looked again and the scene changed in a matter of minutes.
Such drama suddenly, quietly taking place.
The beef balls were great, with a tinge of citrus.
When streets are busy, they look like this:
No one notices the guy with the camera:
People are too preoccupied:
Work work work.
Sell sell sell.
Buy buy buy.
Go go go.
Thanks for reading!
Camera: Contax TVS II
Film: Agfa Vista 400
I suppose this theme is like a visual fixation for me.
This post is dedicated to those who know what it feels like to be doing street photography in your own neighbourhood.
In our own ways, we’re all searching for something, using our cameras as visual search engines.
What are we looking for? For another way to look, to turn everything into a work of art…
I suppose it’s about moments that surprise me.
That tree now looks like an explosion with the HDB flat facade as backdrop…
I keep coming back to HDB flats (public housing that 80-85% of Singaporeans live in), because it’s the cookie-cutter, middle-class, ideological environment I grew up in and which is part of who I am.
For those looking for general info concerning public housing in Singapore, this article from Wikipedia is a good general source. You could purchase these (highly-subsidised) flats through various schemes which are generally pro-marriage, pro-family, pro-heteronormative, etc.
It’s all very Bauhaus-influenced, with a rational/functional ethos to it.
Chua Beng-Huat, a sociologist at NUS, has a wonderful book called Political Legitimacy and Housing: Singapore’s Stakeholder Society. It looks at the ideological and social-engineering aspect of Singapore’s public housing policy.
I’m fascinated by how newness can emerge from familiar/regimental environments.
I have a thing with hawker centre food …
These are some people I’m learning to see again with my camera.
These were all taken on the same day I was due to go back to Hong Kong.
At the airport … back to Hong Kong…
Is Hong Kong any different?
In the end, it’s all about finding your place, moving up or down…
I should say all of images here are from the same roll of film: Ilford XP2 in an Olympus XA2.
The Leica M6 is now my back up camera (!!!)
Thanks for reading!
Hong Kong Lucida 