Loosening Up in Street Photography

I’m a bit of a maximizer (as opposed to a satisficer) when it comes to choosing/doing things.

I try to find out all there is to know before making a decision.

When it comes to execution, I try to go through the various steps in my mind in order to get everything right beforehand.

IMG_20150105_0001 640

Which is why zone focusing and street photography is such a re-creation for me.

IMG_20150105_0002 640

We’re working with a circumference of acceptability.

Is good enough good enough? There’s motion blur here which adds to the sense of movement.

IMG_20150105_0003 640

I was close enough, but it doesn’t mean I could see clearly.

And if we don’t always notice everything around us, why should we demand a photography that sees everything accurately and in sharp focus?

IMG_20150105_0004 640

On the other hand, how much loosening up can one do before one loses discipline?

IMG_20150105_0005 640

There’s a spectrum here, between trying to get everything clinically right and hence losing the moment and operating without some sort of discipline, as if one is holding a camera for the first time.

IMG_20150105_0006 640

Sometimes, good enough is good enough in street photography.

IMG_20150105_0007 640

Try to get everything right and one might lose the “street”.

IMG_20150105_0008 640

There’s that tendency to overthink and hence lose the art.

IMG_20150105_0009 640

On the other hand, one must possess discipline in order to lose it.

IMG_20150105_0010 640

So my job is to learn everything I can, and then forget all I have learnt.

IMG_20150105_0012 640

Imperfection is an art in itself.

IMG_20150105_0015 640

And so is perfection.

And perhaps art is about improvising and about knowing how to move back and forth between perfection and imperfection.

Thanks for reading.

 

 

Camera: Leica M6

Lens: Summicron 50mm Type II

Film: Ilford XP 2