Given an ISO 400 film, if the light is good, I’d simply set the aperture to f/16 and shutter to between 1/60, 1/125, or 1/250 depending on whether I’m in the shade.
The f/16 aperture would allow for a broad depth of field, which allows me to zone focus with a wide latitude.
The whole procedure sounds complicated, but it’s for me the mid-point between going fully auto with a point and shoot camera, and going fully manual and getting all finicky and missing the moment.
It allows me to work intuitively and be disciplined at the same time – that’s the flow state I look for, whether I’m teaching, writing or on the streets with my camera.
I’m at Wu Kai Sha beach – yet again.
All images are from the same roll of film, all taken within an hour or so.
I like the word “take”. To take a photograph is to take something from the world you see.
There’s a contemplative and leisurely mood here I’d like to immerse myself in.
It’s nice to see people relax and do nothing in particular.
Like a frame with nothing at the centre, because the image is the frame.
My favourite street photography trick is to start whistling – people will look at me for a bit while my camera is pointing elsewhere and then ignore me after that.
They’ll think I’m a normal person… though the guy above wasn’t quite convinced…
At other times, they’re too involved with their own thing to notice.
I’d like to think that every photograph I take is an image of myself.
Sometimes there’s no need for explanations – it just is.
It’s a way of life – this awesome village house faces the beach.
We all have our journeys to make.
I wish I understand jogging.
I’m learning to look for patterns.
Looking for moments of insight.
We’re on the lookout.
We look at ourselves.
We think some more.
Our pigeon thoughts will lead the way.
The pigeons are lining up in my mind.
Thanks for reading!
Camera: Leica M6
Lens: Summicron Type II 50mm
Film: Ilford XP2 400