On Being Careless

To be interested in street photography is to be careless.

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The above might look better if the boats were cut out of the photograph. The subject would be clearer.

But the eyes don’t always discriminate properly.

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Found scenes are things as they are.

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Boats and paths as they are.

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A child as he is.

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There’s an accommodation of sorts.

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An ordering of nature.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Kodak BW400CN

On Sense and Sensibility

What, really, is there to talk about when it comes to street photography?

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In the end, we’re capturing our selves.

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And the constraints that shape us.

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Street photography is another way of thinking.

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Another way of looking.

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Sometimes the scene seems a bit bare.

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Until one encounters a human figure.

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The art is long and life so short.

In the meantime, my exhibition is still on-going – come by if you’re in the area.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Kodak BW400CN

Rural Views

I’m here again and again.

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It doesn’t look like much – but it has wonderful views.

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The environment is a work of art.

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The mood is always leisurely.

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The debris is zen.

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There’s artless beauty here.

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I’m happy to be marooned here.

Camera: Contax TVS II

Film: Venus 800

Slow Down

We’ll need to slow down.

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We can’t think like skyscrapers.

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We need to dwell a little bit.

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Take a walk.

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Sometimes to be inane is to make sense.

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A certain order at a certain time.

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Think good thoughts.

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Let a thousand thoughts flourish.

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So we need a better government of our selves.

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So as not to run aground.

 

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm 1.4 SC

Film: Kodak BW400CN