Tai Tong Valley Organic Ecopark

I’ve been reading David Gibson’s The Street Photographer’s Manual and he really has good advice to give.

Referring to Geoff Dyer’s books The Ongoing Moment (on photography) and But Beautiful (on jazz), Gibson makes the connection between street photography and jazz:

I identify an empathy with the mindset of jazz musicians. They get lost; they have an idea where they are going, they are in control but they are open to chance and what feels right in the moment. That alternative name for street photography could be ‘lost photography’ – street photographers need to get lost. (pg. 8)

That’s my thing with writing poetry as well – you start somewhere … you have an idea of what to do but do not know what will happen or what you’re really going to say until you’ve written it all out.

Writing for me is (improvisatory) thinking that reaches for something that wasn’t there before.

Perhaps the same might be said of jazz and street photography. How else would you reach something fresh/new/innovative if you already know what you’re aiming for right from the beginning?

Have an idea of A; do A; attain A, and you will still get A. That’s not quite satisfactory.

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We’re always in search of that breakthrough, that gap which broadens.

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Following David Gibson’s advice on looking through layers, I’ve been looking through glass, windows, mesh, etc.

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I can’t decide whether the monochrome or colour version is better.

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Both are equally valid, I think.

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Here.

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Here again. There’s a filmic quality to the color.

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The photographs here were taken during a family trip to Tai Tong Valley Organic Ecopark.

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It’s a study in what we’ve made of animals…

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We’ve domesticated many animals.

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They are tame, chained and obedient.

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Perhaps they’re the external manifestations of ourselves as well.

Perhaps we need to learn to look through animals at ourselves.

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We’re all tamed, chained and obedient to one thing/idea or another.

The above is a playground that looks like a roped enclosure … actually, it is a roped enclosure.

You could allegorize and say the human playground is at the same time a roped enclosure of sorts.

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We’re all “(m)echanical beetles never quite warm” (Wallace Stevens, “The Man with the Blue Guitar”).

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That I suppose, is the seed of cultivation…

 

Check out my open-edition prints!

 

 

 

 

Singapore Monochrome Zoo

Singapore has a fantastic zoo.

We visit once a year each time we’re back.

I had a simple set-up that day – it’s a 40mm prime lens.

The challenge here is not so much to become the next National Geographic photographer, but simply to impart a bit of character onto the subjects.

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That’s my favourite animal, totally at home in its tropical paradise – I was born in the year of the tiger.

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A turtle flying through the water.

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A dreamy iguana.

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An enigmatic bicycle … (the kids had to pry their weird daddy and his camera away from this animal.)

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We’re that sea lion, trained to perform.

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See how hard it spins for its food.

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The chimpanzees are high above, lording over us…

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Check out that animal of a camera!

It’s a full frame Sony RX1r.

It’s a f/2 Carl Zeiss Sonnar lens!

It’s a full frame digital camera with a fixed lens, a challenge to a Leica fixed with a 35mm lens.

I could be Garry Winogrand with that camera! (I should say Winogrand’s book The Animals was on my mind that day.)

With that camera, I could become the next Daido Moriyama… look at that lens hood!

Okay … back to the main plot.

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Once upon a time, Singapore was a small fishing village.

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Then the elephants came.

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We’re all looking out for our next orange squash.

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Capitalism is fun!

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All lined up and waiting to be splashed on by the sea lion … what fun!

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Would you like to meet a capitalist snake, anyone?

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That’s a white capitalist peacock giving us a rear view…

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A charging polar bear!

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Up close and personal with a polar bear.

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There’re lines we cannot cross.

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No worries – no one is going to eat us.

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My daughter was impressed by this bird and followed it for a bit.

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My son got real close and took the above shot.

“What’s that, daddy?”

“It’s a nice furry raccoon-like monkey animal creature.”

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Children love the horse-carriage ride.

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Nice pony!

A pony is not a baby horse.

It’s a small horse.

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My son decided this particular otter was cute and took 16 identical pictures.

(That’s partly why I don’t let him use my film cameras.)

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Bye bye! See you again next year!

For collectors: check out the prints!

 

 

 

 

 

 

 

 

 

 

Singapore Zoo

Yet another set of street photographs taken at in-between moments during a family outing at the Singapore Zoo a few months ago.

That’s our friendly and helpful tram driver.

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My son loves the pony ride.

I am a very talented photographer – through telepathy, I’ve managed to convince the person in the background to bend a little bit so as to be confluent to the pony handler’s face and shoulder outline.

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Here’s the horse carriage driver.

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Here’s the horse.

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It’s interesting how high contrast monochrome changes things. The photographs look somewhat hard-edged and menacing at times …

Go to the zoo if you’re ever in Singapore. It’s really not so menacing …

The crowd at an animal performance show.

We go to the zoo every time we’re back in Singapore.

So, I’ve seen the performance many times.

Now, instead of looking at the performance, I look at the crowd and think about how to photograph the human exhibits.

I am a very talented photographer – using telepathy, I’ve managed to convince a stranger to stand up so as to create a contrasting element to the crowd.

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That’s err… a bird animal creature with two legs and feathers…

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I suppose that’s my nod to Gary Winogrand‘s The Animals.

Thanks for reading!