Shanghai: How to Appreciate High Contrast Monochrome

Yes, I’ve recently acquired a taste for high contrast monochrome.

_MG_8922 mono 640

 

It is stark, clear, and in some ways, minimalist.

_MG_8923 mono 640

Stripped of colours, our attention is drawn directly to the subjects.

_MG_8924 mono 640

You could overexpose a bit to make a social statement about modernity – the face of the security guard is partially eclipsed, in contrast to the blown-out advertisement.

_MG_8932 mono 640

There’s the dichotomy between an individual and a building, and the image draws attention to rectangular grids of the building and pavement, in contrast to the white polka dots echoed in the two round shapes on the building.

_MG_8935 mono 640

The rectangular grids here are enhanced by the bus and the back of the shirt.

More grids, blocks and lines in the next few shots:

_MG_8941 mono 640

_MG_8954 mono 640

_MG_8955 mono 640

_MG_8970 mono 640

_MG_8971 mono 640

_MG_8974 mono 640

_MG_8975 mono 640

_MG_8977 mono 640

The face is blurred out, again emphasizing the blocks, grids and lines.

_MG_8983 mono 640

I’m about to reveal a useful street photography technique.

All these shots are done from a mobile elevated position.

I’ve set this up so I could do street photography on the move.

I spent $40 RMB setting this up, though the equipment involved, depending on the model, could easily cost more than $200 000 RMB.

I’m a very talent street photographer, you see.

_MG_8984 mono 640

Can you guess what it is?

It’s really a fantastic piece of equipment for the street photographer, which has to be manned by another person.

_MG_8985 mono 640

It’s called an open-air double-decker tour bus.

_MG_8986 mono 640

$40 RMB is the price of an all day ticket on a route with 3-4 bus lines.

 

My ten-year-old son wants to have a go. The next eight images are by him.

I gave him 2 very important street photography tips:

1) Try not to place the subject at the center.

2) Don’t drop the camera or else.

_MG_9014 mono 640

_MG_9016 mono 640

_MG_9028 mono 640

_MG_9029 mono 640

_MG_9030 mono 640

_MG_9031 mono 640

_MG_9033 mono 640

_MG_9035 mono 640

I’m responsible for the high contrast monochrome, of course.

But what can I say – he has good creative genes. 🙂

Okay, my turn.

_MG_9037 mono 640

 

The above is the street photographer assistant I hired, taking a break from handling that fantastic piece of equipment for me.

_MG_9048 mono 640

The youth of Shanghai, walking with a swagger.

_MG_9049 mono 640

I like the facial expressions.

_MG_9053 mono 640

Cool dudes.

_MG_9054 mono 640

A blurry shot, something I learnt from Daido Moriyama…

Thanks for reading, and buy my prints!

 

 

Grids, lines and colours

I’m now convinced that Hong Kong is a street photographer’s paradise.

I’ve been paying attention to grids, lines and colours and it seems to me that all I have to do is wait a little bit and the composition would fall into place after a while.

Mongkok is rather good for that sort of thing.

For example, the rectangular green grids of this candy store window has a lomography edge to it, and all I had to do was to memorise where the framelines of my beloved Leica M6 would be and wait until someone walks into the frame. Check out the reflections and the Chinese characters – they’re there and yet not so overwhelming:

IMG_20130906_0003 A3 adjusted A4 640

The diagonal lines were calling out to me as I was on a bridge:

IMG_20130906_0002 A3 adjusted A4 640

And finally, I like the grungy and yet contemplative mood this evokes:

IMG_20130906_0002 640

And I’m keeping a close watch on my diminishing supply of Kodak Portra 400 film with which these were taken…

Thanks for coming by today.