Mostly Monochrome Singapore

I’ve lived in Hong Kong long enough such that I could see Singapore with a fresh set of eyes.

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Some of the buildings have become rather futuristic.

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And public housing flats are beginning to look very homely.

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Singapore is home, a comfortable grid.

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We’re all fitted into grids.

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Nice looking public housing.

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Was at Hard Rock Café with my family.

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An amazing acoustic set – it’s nice to listen to local acts with my wife… while trying to get our children to eat their broccoli.

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The HRC I know were Saturday clubbing nights, 2 decades ago.

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As I looked around at the various tables, I saw expat families with kids, tourists and middle-class locals out for dinner.

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Times have changed – or perhaps I have changed.

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Once upon a time, I wanted to be a rock star with my acoustic guitar.

The lyric he’s singing: “I’m all about that bass, about that bass, about that bass…”

Subsequent serious research (Google and Wikipedia) tells me it’s really a very cool song.

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Now, I see HRC as an F&B outlet using rock music as a marketing tool, reaching out to customers like me who’ve come of age with the likes of GnR, Bon Jovi and Skid Row.

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Perhaps I’m getting older and more cynical.

Still – it’s good to be young and idealistic.

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HRC still looks impressive.

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The colour is wonderful.

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Orchard Road is gearing up for Christmas.

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Hilton façade with a dash of nature.

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A Martian landscape in full colour.

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Equally interesting in monochrome.

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It’s nice to be young…

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An empty bus looks somewhat disturbing, like an unfulfilled promise.

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This looks better – all blurry and full of promise.

Thanks for reading!

 

Camera: Canon 600D

Legacy Lens: Meyer-Optik Gorlitz Lydith 30mm f. 3.5

 

 

 

 

 

 

 

Memories of Mong Kok

So, here’re some memories of Mong Kok.

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They were trying to create a better community.

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The streets announced their will.

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The exhibits were playful: this looked like an umbrella carousel.

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There were thoughtful moments like this at Mong Kok.

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There were hard hats with a tough message.

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There was a clear intention.

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There was energy.

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There were tents.

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There were floating umbrellas.

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Pretty umbrellas.

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The streets belonged to its people.

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The signs and umbrellas were there.

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There were ominous moments.

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The graduates were there.

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They were preparing for an eventuality.

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Yellow and blue went well together.

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There were selfie moments.

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He told me to take a picture and share it.

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Goodbye tents, goodbye Occupy Mong Kok.

 

Camera: Canon 600D

Legacy Lens: Meyer-Optik Gorlitz Oreston 50mm f 1.8

 

 

 

 

 

 

 

 

 

 

Winding Down?

There’s definitely a sense that things are winding down at two of the three Occupy sites.

There’re fewer tents now at Mong Kok.

I’m focusing more on the objects this time – how do you photograph tents and people that are not there?

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At Admiralty, the tents are still holding forth, and the art works are still looking robust.

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Causeway Bay is a bit quiet these days, though there’re still people who would pause to read the messages.

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Thanks for reading.

 

Camera: Canon 600D

Legacy Lens: Meyer-Optik Gorlitz Lydith 30mm f 3.5

Occupy: Mong Kok, Admiralty and Causeway Bay

So – I managed to go to all three sites on the same afternoon.

At Mong Kok.

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People are still smiling.

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Mannequins are still standing.

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Though there’s a sense that this might be over soon…

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I’ll never look at umbrellas the same way again.

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Umbrellas and street culture are now intertwined.

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Lots of artists have emerged.

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Every person an umbrella.

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We are all umbrellas.

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No violence, please.

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The hope of a generation is here.

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I’m ambivalent when it comes to the police.

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The police stands for law and order.

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I respect the police, but what happens when the law privileges a particular social order that is in question?

Over at Admiralty.

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An umbrella community.

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We’re all waiting and watching.

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We see the organic growth of a community.

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A community that stands for something.

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An artful and thoughtful community is emerging.

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Though it’s all eggs against a brick wall.

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Vigilance.

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Constant vigilance.

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A poem by Gu Cheng entitled “A Generation”: Dark night has given me dark eyes, but I’m using them to look for brightness.

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These are students of history and poetry.

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I see students like this on campus every day.

I teach them poetry and creative writing.

They’re somewhat goofy, always respectful, and many do have a strange fondness for Doraemon soft toys.

They bring these soft toys along with them for pictures on graduation day.

Now they’re a force of social change, graduating with honours.

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It’s not just the students, of course.

The carpenters show up to be carpenters.

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It is already done.

Even if the barricades are cleared and all have gone home, Occupy Central would be that powerful idea that will be always ever present.

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The rest is just documentation.

Occupy Central is already set in memory, in photographs, social media, in newspaper and government reports.

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The skeleton of the umbrella is strong.

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There are no wasted bodies on the streets.

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They know what they want.

At Causeway Bay.

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The Hong Kong people.

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The small business owners.

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The umbrella is looking somewhat tattered but the sentiment is strong.

Rough translation: the work is hard but keep going.

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In the end, history will decide.

 

 

Camera: Canon 600D

Legacy Lenses: SMC Takumar 24mm f 3.5, Meyer-Optik Gorlitz Oreston 50mm f 1.8

 

 

 

 

 

 

 

 

 

 

 

 

 

Colours at Causeway Bay

The protesters at Causeway Bay are still there, waiting.

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Hope expresses itself in so many ways.

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There’s festivity in the colours.

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Hope is in the air.

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The students are doing their homework, taking up the work of creating a home.

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The umbrellas will not let us forget.

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The tents will not let us forget the future of Hong Kong.

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So many messages are being sent.

 

 

Camera: Canon 600D

Legacy Lens: Meyer Optik Lydith 30mm f 3.5

 

 

 

 

 

 

 

 

 

 

Street Colours at Mong Kok

Another day on the streets of Mong Kok.

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It’s different every time.

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I’m pretty sure the above weren’t here the other day.

This is the work of bricolage – the art of making do.

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The details change.

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But the task of reading and understanding goes on.

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What Hong Kong wants is not very hard to understand.

Umbrellas, society and home – who doesn’t want those?

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Perhaps the barricades could be a bridge some day.

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There’re mobile libraries here.

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A community serving a community.

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We’ve to learn to read.

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There’s a willingness to do the work of waiting.

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Cheeky umbrellas.

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The minions are still waiting with good humour.

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The umbrellas descend.

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Mong Kok has a new look these days.

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Again, humour.

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Waiting.

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Some more humour. True democracy is a fortress.

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There’s a message here to be deciphered.

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Safety.

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There’s healing waiting to be done.

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The police love Hong Kong too.

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If there is no love, respect and peace, there’s no Hong Kong.

What else can we do, except to pray for wisdom on all sides.

 

Camera: Canon 600D

Legacy Lens: Meyer Optik Gorlitz Oreston 50mm f/1.8

 

 

Mong Kok: Colourful Preoccupations

Mong Kok has become colourful and purposeful.

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Something is waiting to happen.

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The answer, my friend, is blowing in the wind…

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Waiting.

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Intentions.

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It’s all on the wall.

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The barricades.

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Even the minions are here, patiently manning the barricades.

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We’re all tourists here.

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The lion wants true universal suffrage.

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The people are here to stay.

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Resting.

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Reading.

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The umbrellas were indeed open at 6p.m., 28th October, to remember the teargas used by the police on the protesters a month ago.

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It says “Stop unethical policing”, not “stop policing”.

There is still a need for law and order.

 

Camera: Canon 600D

Legacy Lens: Meyer Optik Gorlitz Lydith 30mm f/3.5