Exhibition Poster

Here’s the exhibition poster!

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I’ll be reading a few poems at the opening ceremony (5th Nov 2015, 5pm) and some of the photographs with accompanying poems will appear in my forthcoming 2016 book. It’s open to public. Come by if you’re in the area!

Exhibition Prep

So, I’m in the midst of preparing for a solo photography exhibition, to be held on campus.

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And experimenting with various papers I’ve collected.

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Photographs on mobile phone/tablet/computer screens are not the same as print photographs.

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The materiality of photography is a fascinating thing indeed.

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Some printing mistakes, and a few books that inspire me.

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I’m teaching an MA course on social media, photography and writing, so many ideas are floating around in my head even as I’m prepping for the exhibition.

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It’s all coming together … photography, literature, critique.

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Nietzsche, Foucault, etc., have asked that question – how can we live our lives deliberately, such that our lives become works of art?

Some more Shamshuipo

I’m still walking around…

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The streets are exhibitions waiting to speak.

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What would the stall say?

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What’s he thinking about?

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We’re all concealed by what we buy and sell.

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We all buy and sell.

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We’re all waiting.

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Until it’s all meat…

Camera: Olympus XA2

Film: Ilford XP2 400

Memories of Mong Kok

So, here’re some memories of Mong Kok.

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They were trying to create a better community.

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The streets announced their will.

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The exhibits were playful: this looked like an umbrella carousel.

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There were thoughtful moments like this at Mong Kok.

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There were hard hats with a tough message.

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There was a clear intention.

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There was energy.

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There were tents.

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There were floating umbrellas.

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Pretty umbrellas.

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The streets belonged to its people.

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The signs and umbrellas were there.

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There were ominous moments.

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The graduates were there.

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They were preparing for an eventuality.

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Yellow and blue went well together.

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There were selfie moments.

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He told me to take a picture and share it.

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Goodbye tents, goodbye Occupy Mong Kok.

 

Camera: Canon 600D

Legacy Lens: Meyer-Optik Gorlitz Oreston 50mm f 1.8

 

 

 

 

 

 

 

 

 

 

Occupy Central: A Monochrome Meditation

All images were taken with one camera, one lens, on the same roll of film and on the same day.

 

This is a visual meditation on Occupy Central.

Once upon a time, Occupy Central was an idea. It was an event that was yet to come.

It then became an event.

It will be an event that is always already present, even if it ends today or at some point in the future.

 

At Admiralty.

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At Mong Kok.

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At Causeway Bay.

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Thanks for reading.

 

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f 1.4 SC

Film: Ilford XP2 400

 

 

 

Winding Down?

There’s definitely a sense that things are winding down at two of the three Occupy sites.

There’re fewer tents now at Mong Kok.

I’m focusing more on the objects this time – how do you photograph tents and people that are not there?

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At Admiralty, the tents are still holding forth, and the art works are still looking robust.

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Causeway Bay is a bit quiet these days, though there’re still people who would pause to read the messages.

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Thanks for reading.

 

Camera: Canon 600D

Legacy Lens: Meyer-Optik Gorlitz Lydith 30mm f 3.5

Revisiting Occupy: Mong Kok, Admiralty and Causeway Bay

The sites are being cleared even as I’m typing this.

So, this is going to be memory soon.

Mong Kok:

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Admiralty:

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Causeway Bay:

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Camera: Contax TVS II

Film: Kodak Ultramax 400