Leica M6 with 50mm Summicron Rigid

According to the serial numbers, my Leica M6 was made in 1987 and lens in 1957.

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The lens has its distance scale in feet only. It’s a bit annoying for me as I think in metres. Oh well. This teaches me to check before buying. But there’s a broad depth of field to work with when zone focusing at f16 so that’s fine.

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The lens and camera were a good combined bargain way back in 2011. I remember walking into a shop in Singapore. It’s either at Peninsula Plaza or Peninsula Shopping Centre – my favorite place for vintage cameras and electric guitars. I asked for the lowest-priced Leica M6 and 50mm lens. Didn’t like the first option and so I went with the second. They came with a 6-month shop warranty.

The prices for both the camera and lens had increased over the years. Could you say the same for digital cameras? A digital camera is like a smartphone these days – there’s built-in obsolescence at work.

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There’s no such thing as a purely analog process anymore, especially if one is scanning the negatives and displaying the images on the Internet. I can’t help but tweak a little bit for contrast.

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Film photography is about slowing down and understanding the light. The Leica M6 has a meter I can check to ascertain the range I can work with.

Zone focus, decide between f8, f11 or f16 depending on whether the scene is in the sun or shade and snap. It’s pure poetry – camera and lens and the mind are one.

We all need to find a sense of calm in a time of Covid-19. (My second-hand Washburn HB35, a semi-hollow guitar, is also getting a regular workout: “Mama take this badge off of me … I can’t use it anymore … it’s getting dark, too dark to see…” )

Zone focusing is actually faster than auto focusing with my digital camera. I missed a few shots with the Canon M50 as the lens hesitates once in a while and takes a little too long to decide.

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Neat display.

IMG_20200721_0036 15In the midst of things.

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I aimed at the wall and waited for someone to walk past.

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Selfie on glass display. This was outside my go-to place for film development, lenses and cameras, where I got the film (Ilford XP2 400) processed right after this shot. It’s sunrisephotohk. You could find it on FB.

There’s a Leica M3 in there for a nice price. The ground rule is you put down the cash and go for a spin with the camera and develop the film right there to check for issues. If you don’t like what you see, you get your cash back.

There’re other pricier places in Hong Kong you could go to in Mongkok and Tsimshatsui and they generally give you a 6-month or 1-year shop warranty. But a Leica M is a simple mechanical thing, relatively speaking, and generally serviceable. They are built to last.

I could pair the current lens with the Leica M3, and the M6 will be a permanent home for my Voigtlander 35mm Nokton Classic. Hmm…

 

 

 

Mostly Monochrome Singapore

I’ve lived in Hong Kong long enough such that I could see Singapore with a fresh set of eyes.

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Some of the buildings have become rather futuristic.

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And public housing flats are beginning to look very homely.

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Singapore is home, a comfortable grid.

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We’re all fitted into grids.

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Nice looking public housing.

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Was at Hard Rock Café with my family.

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An amazing acoustic set – it’s nice to listen to local acts with my wife… while trying to get our children to eat their broccoli.

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The HRC I know were Saturday clubbing nights, 2 decades ago.

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As I looked around at the various tables, I saw expat families with kids, tourists and middle-class locals out for dinner.

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Times have changed – or perhaps I have changed.

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Once upon a time, I wanted to be a rock star with my acoustic guitar.

The lyric he’s singing: “I’m all about that bass, about that bass, about that bass…”

Subsequent serious research (Google and Wikipedia) tells me it’s really a very cool song.

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Now, I see HRC as an F&B outlet using rock music as a marketing tool, reaching out to customers like me who’ve come of age with the likes of GnR, Bon Jovi and Skid Row.

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Perhaps I’m getting older and more cynical.

Still – it’s good to be young and idealistic.

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HRC still looks impressive.

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The colour is wonderful.

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Orchard Road is gearing up for Christmas.

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Hilton façade with a dash of nature.

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A Martian landscape in full colour.

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Equally interesting in monochrome.

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It’s nice to be young…

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An empty bus looks somewhat disturbing, like an unfulfilled promise.

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This looks better – all blurry and full of promise.

Thanks for reading!

 

Camera: Canon 600D

Legacy Lens: Meyer-Optik Gorlitz Lydith 30mm f. 3.5

 

 

 

 

 

 

 

Many Hong Kongs

These are images taken with the same camera (Minolta AF-C), with a single roll (Fuji Neopan 400CN), over a week or two.

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There’re just so many environments, and so many stories waiting to be told.

There’s the early riser.

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The joy of a youthful busker.

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The necessities of life: public laundry.

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There’s discipline and teamwork.

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Political consciousness.

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Work.

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And work.

(For collectors: open edition prints from this post are available here.)