Olympus XA 3

Sometimes, it is a pain when you realize that what you have is actually good enough.

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Sad is the man who realizes he does not have a good excuse to buy another camera.

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What happens if you’re already happy with your Olympus XA 2 as a street camera?

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You go out and buy an Olympus XA 3, of course.

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It’s the same difference.

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There’re differences between a Olympus XA 2 and XA 3, of course.

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What this also means is that I could go out with 2 different films.

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One could be loaded with a colour film and the other with a b/w film.

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Or they could have films of different ISOs.

Ah – the joys of street photography.

Camera: Olympus XA 3

Film: Kodak UltraMax 400

A Street Photographer’s Camera

I’ve been thinking a bit about the tools we use.

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A street camera is a machine for seeing.

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Frankly, any camera will do. But I prefer film cameras.

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For me, it’s a Leica M6 most of the time, because I need the meter once in a while.

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At other times, it’s a Contax TVS II, a Canon 600D (yes, a digital camera) with legacy lenses, or an Olympus XA 2, just to switch around a bit, to refresh my vision.

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I’m not adverse to using digital. But film cameras do last a long time.

Like my (2001 model) Toyota Corolla, which in Hong Kong, seems to be a mechanic’s favourite car.

It’s forgettable, reliable and replacement parts are easy to find.

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I’ve been reading about self-drive cars and their amazing electronics.

But I wonder how long the electronics would last.

Do we have to replace them the way we replace our tablets/smartphones/laptops?

I’m suspicious of planned (compelled) obsolescence.

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Would a digital camera last more than 3-5 years?

That’s the question I ask whenever I experience that rush of gear envy.

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Thanks for reading!

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Ilford XP2 400

The Camera as Sketchbook

I’m prepping for a talk on my manuscript in progress which features street photography and poetry.

In some ways, the camera has become my sketchbook.

Here’s Henri Cartier-Bresson from The Mind’s Eye (and the first part of the book is titled “The Camera as Sketchbook”):

For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. In order to “give a meaning” to the world, one has to feel oneself involved in what one frames through the viewfinder. (The Mind’s Eye pg. 15)

For the street photographer, the camera is a tool for thinking …

Here are some of the photographs I’ll be talking about, the first of which has been featured in a previous entry.

They are each paired with a poem in the manuscript.

I’m only including fragments of the accompanying poems here.

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*

“how hong kong works, no one knows,
though everyone says mm goi, mm goi,
thank you, small favour, another name
for waiter, excuse me, help.”

*

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*

“one can only be a tourist
constantly taking pictures

posing and making sense”

*

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*

“i tell myself i am a camera
though i am a camera trying to be a man

because a camera captures everything
and is nothing in itself.”

*

What they have in common: they’re about looking at the act of looking. In a way, these are photographs of myself…

Thanks for reading.