Leica M6 with 50mm Summicron Rigid

According to the serial numbers, my Leica M6 was made in 1987 and lens in 1957.

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The lens has its distance scale in feet only. It’s a bit annoying for me as I think in metres. Oh well. This teaches me to check before buying. But there’s a broad depth of field to work with when zone focusing at f16 so that’s fine.

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The lens and camera were a good combined bargain way back in 2011. I remember walking into a shop in Singapore. It’s either at Peninsula Plaza or Peninsula Shopping Centre – my favorite place for vintage cameras and electric guitars. I asked for the lowest-priced Leica M6 and 50mm lens. Didn’t like the first option and so I went with the second. They came with a 6-month shop warranty.

The prices for both the camera and lens had increased over the years. Could you say the same for digital cameras? A digital camera is like a smartphone these days – there’s built-in obsolescence at work.

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There’s no such thing as a purely analog process anymore, especially if one is scanning the negatives and displaying the images on the Internet. I can’t help but tweak a little bit for contrast.

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Film photography is about slowing down and understanding the light. The Leica M6 has a meter I can check to ascertain the range I can work with.

Zone focus, decide between f8, f11 or f16 depending on whether the scene is in the sun or shade and snap. It’s pure poetry – camera and lens and the mind are one.

We all need to find a sense of calm in a time of Covid-19. (My second-hand Washburn HB35, a semi-hollow guitar, is also getting a regular workout: “Mama take this badge off of me … I can’t use it anymore … it’s getting dark, too dark to see…” )

Zone focusing is actually faster than auto focusing with my digital camera. I missed a few shots with the Canon M50 as the lens hesitates once in a while and takes a little too long to decide.

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Neat display.

IMG_20200721_0036 15In the midst of things.

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I aimed at the wall and waited for someone to walk past.

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Selfie on glass display. This was outside my go-to place for film development, lenses and cameras, where I got the film (Ilford XP2 400) processed right after this shot. It’s sunrisephotohk. You could find it on FB.

There’s a Leica M3 in there for a nice price. The ground rule is you put down the cash and go for a spin with the camera and develop the film right there to check for issues. If you don’t like what you see, you get your cash back.

There’re other pricier places in Hong Kong you could go to in Mongkok and Tsimshatsui and they generally give you a 6-month or 1-year shop warranty. But a Leica M is a simple mechanical thing, relatively speaking, and generally serviceable. They are built to last.

I could pair the current lens with the Leica M3, and the M6 will be a permanent home for my Voigtlander 35mm Nokton Classic. Hmm…

 

 

 

Canon EOS M50 with Voigtlander 35mm/1.4 Nokton SC

Finally gave in and bought that mirrorless camera because it will help me save money. Haha.

Because with a few adapters, I could use my various Takumars, Leica mount lenses and Canon EF/EFS lenses. I accidentally bought a 28mm Industar…

The Voigtlander and a few others allow for zone focusing.

Though I wasn’t fast enough sometimes.

Looking and thinking with some focus peaking.

Human, nature.

A homely arrangement.

We all need to find home.

Against a Wall

It’s a simple idea – one I’ve used many times.img_20160929_0023-640

A simple wall with interesting texture.

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A window.

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And equally interesting people.

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The composition takes care of itself.

Thanks for reading!

Camera: Leica M6

Lens: Voigtlander 35 Nokton 1.4 SC

Film: Venus 800

 

Finding Flow

Part of street photography or art-making is about finding flow.

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Such that one is immersed in the activity.

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Such that you could forget yourself.

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And find meaning in it.

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The notion of flow – many thanks to Mihaly Csikszentmihalyi.

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It’s about looking, constantly looking.

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Thanks for reading!

Camera: Leica M6

Lens: Voigtlander 35 Nokton 1.4 SC

Film: Venus 800

 

The Street Makes Sense

The thing with Shamshuipo is that one could walk slowly amongst pockets of crowds.

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You could flow along comfortably.

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Even if you stop, there’s space enough for you to do so.

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So many people and things to look at.

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Hope and dreams of finding a space.

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The street belongs.

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The street can disintegrate.

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The street makes sense, if you keep looking.

Camera: Leica M6

Lens: Voigtlander 35 Nokton 1.4 SC

Film: Venus 800

 

 

Cheung Chau Yet Again

It never ends – this appreciation for a more laid-back lifestyle.

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It’s probably ideal, rather than actual.

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Still, it’s worth keeping in mind.

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We’re all tourists to this thought, this possibility.

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It can be commercialized, of course.

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There are those who buy the idea.

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Those who consume it and are consumed by it.

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We all gaze with a kind of desire.

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It all makes sense when there’s a vendor.

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Satiation.

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Wants, desires and goods – a life that makes sense.

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A meaning-making kind of sense.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Ilford XP2

Cheung Chau Again

Some more thoughts of Cheung Chau.

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One photograph, one thought.

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It’s a nice local economy one could believe in.

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It’s a personable economy.

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A joyful economy.

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Though sometimes you’d have to wait for a bit.

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Public sculptures.

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There’s time for a conversation.

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Time to stroll.

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Time to sort it all out.

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It’s all very laid back.

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Part of it is in shadow.

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It’s not always peachy.

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There’re always things to buy!

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People to look at.

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And a wall to lean on.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Ilford XP2

Cheung Chau

On Cheung Chau island.

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The atmosphere is rather relaxed.

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One could dream of a life here.

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It’s one of those possible doorways.

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One could just stand here and admire the wall.

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Lack of love?

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An advertising and laundry space.

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Very homely.

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Though sometimes we could be in a hurry.

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Oh I’m dreaming I’m dreaming of a slower pace of life.

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Is it possible?

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It is possible.

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Maybe I’m romanticizing too much.

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It’s a possibility, I suppose.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Ilford XP2

 

 

A Short Hike

There’s nothing like a short walk to get away from the city, even if it’s just for a bit.

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We all need breaks.

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A short climb.

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Getting there.

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So one could disappear.

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There’s a haiku in there waiting to be written…

 

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Ilford XP2

The Management of Space in a Village

It goes without saying that space is at a premium in Hong Kong.

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This is true even in the more rural areas.

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Things need to stay organized.

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Nature needs to know its place.

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Heidegger: “Everywhere everything is ordered to stand by, to be immediately at hand, indeed to stand there just so that it may be on call for a further ordering. Whatever is ordered about in this way has its own standing. We call it the standing-reserve.”

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It’s all standing by.

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Nothing is to be wasted.

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It’s all about discipline.

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Places to go, and places you can’t go.

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All these structures are standing, even in our literal absence.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Ilford XP2