Hong Kong Lucida

A Thinking Street Photography Blog

Ngong Ping Cable Car IV

If you’ve read the previous 3 posts, you’ll know that the photographs below were in some of those posts, though they are in color here.

Yes, my B mode (berserk mode) in the cable car.

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Monochrome is a gift to the street photographer, because:

i) it removes distracting elements and focuses our attention on the theme and/or graphic elements such as lines/grids/repetitions;

ii) it provokes a knee-jerk reaction to do with aesthetic pretensions (ooh b/w, therefore it must be seriously worthy/arty/historical/documentary);

iii) there’s virtue in taking the minimalist less-is-more approach.

But sometimes, less can be less as well.

Slightly contrasty colors can be striking.

Here’re the cable car exhibits (which my wife said looked like Ultraman heads).

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While we’re on the subject of superheroes, it’s hard to resist that Superman blue and red combo.

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Blue and red combo again.

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Slightly desaturated colors can be … poetic.

Colors could mark our different kinds of spaces.

Colorful below, black and white above.

There’s a statement here to be made about human colors vs religious monochrome.

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The colors below look Kodak Ultramax -ish to me.

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Anyway, there’s a tussle here of course, and you could say the photograph in color is not the same as the one in monochrome.

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This one below looks Kodak Portra – ish. (Yes, yes, I miss my film cameras already.)

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Of course, there are various kinds of monochrome (low vs high contrast, different filters, etc.).

Not to mention b/w vs colors as in film photography.

Photography is a universe in itself.

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Until next time.

 

 

 

 

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2 comments on “Ngong Ping Cable Car IV

  1. shemaker
    July 9, 2014

    the top 2 images are beautiful 🙂

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