Some more views at Tsim Sha Tsui.








Leica M3, 50mm Summicron Rigid, Tri-X
A Thinking Street Photography Site
Some more views at Tsim Sha Tsui.
Leica M3, 50mm Summicron Rigid, Tri-X
The scenes speak for themselves.
Leica M3, 50mm Summicron Rigid, Tri-X
Before Covid-19.
Busy every day.
Work.
Rest.
Commute.
Preparation.
Calculate.
Fix.
Gather.
What to do.
We are our environment.
Supplicants.
Covered in light and shadow.
To and fro.
Heavy news every day.
We carry on.
I have so many posts of the street markets at Shamshuipo.
My only excuse is that things are always changing, and the streets are never the same from hour to hour.
I’d wonder about the kind of life stories people have.
What would we say, if we have had a chance to speak about ourselves to one another?
I’m the guy with the camera who thinks too much.
While someone else is having his siesta.
The streets are so busy.
Camera: Olympus XA2
Film: Ilford XP2 400
In general, there’re two approaches available for the street photographer who uses both digital and film cameras.
With a digital camera, you could take multiple shots of the same scene.
You could take a shot that you think might not work but do it just to see what happens.
In other words, you could AFFORD to experiment with a digital camera.
With a film camera, you’d tend to be more circumspect.
This means that film photography reveals your competency.
After all, even if you could afford it, a wasted shot is wasted film.
Thanks for reading.
Camera: Olympus XA2
Film: Ilford XP2 400
Sometimes it is the architecture of the city that teaches us how to look.
We look up.
We look again with a slight change of perspective.
We glance from far away.
A coordinated look.
Look up, look down.
We read.
We wait and read and see.
What does the look want?
The look of friendship.
Camera: Contax TVS II
Film: Kodak BW400CN