Penang’s Gurney Drive

I was in Penang recently with my family and many of the street pictures were taken with my Olympus XA 2, in-between vacation shots taken with my Canon 600D.

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The above was taken while riding a trishaw.

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Another shot, taken from a trishaw.

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The Gurney Drive street food market was where we found ourselves on most days.

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Fried oyster!

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Yummy!

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Lok lok!

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Laksa!

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That’s the “Chinese rojak” stall.

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That’s the Indian rojak stall.

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Sotong kangkong!

So yes, street food was on the top of our list at Penang.

Camera: Olympus XA 2

Film: Agfa Vista 400

Singapore: Inside Out in London

This is an exhibition of Singaporean arts in London.

Singapore: Inside Out is a showcase of Singaporean art in Beijing, London and New York City. More info here.

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There were lots of announcements like this on the walls at Brick Lane.

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See – it’s here.

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The cyclist got in the way.

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Another cyclist.

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Yet another cyclist.

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That’s the Old Truman Brewery, converted into an arts and creative enterprises venue.

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The neighbourhood is so arty that even unadorned walls have character.

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At a café while waiting for the exhibition to open.

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Performance art – I confess I don’t really get it. Red and white are the colours of Singapore’s flag.

He’s leaving smoke trails on the window … is this an ironic commentary on the ephemeral nature of Singapore’s national culture at an exhibition of Singaporean art?

The overall mood, partly because of the candles, is rather funereal.

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That’s an installation on which the public is invited to scrawl/doodle.

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The installation is still clean … the exhibition had just opened, after all.

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Info panels.

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There’s a … grass lawn exhibit.

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This I understand – books on a shelf.

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Fortunate placement of people.

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That’s the Actors’ Tour, during which the monologues of various featured artists were performed.

There’s the mention of Singapore’s arts and culture policy, and a hint of self-conscious deprecation concerning state-sponsored art.

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I fired off a few shots before realizing my DSLR might be a little bit loud and distracting… I switched to my more discreet Olympus XA2 (more in another post).

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The performance art again – check out the funereal-looking candles.

Thanks for reading!

Camera: Canon 600D

Lens: Canon 40mm f/2.8 STM

Brick Lane, London

Brick Lane!
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This was where I was really inspired.

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The arty and grungy environment gets one in the mood for street photography.

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Everything seems to fit.

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The people and the walls go well together.

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A fantastic indie label.

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A self-portrait.

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He was cutting grass.

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Cool dude.

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The colours are simply wonderful.

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They saw me and waved.

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Beautiful people, beautiful wall art.

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The kids were enjoying the art too.

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Lots of cyclists.

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A smile and a frown.

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Hard at work.

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Another cyclist.

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Cool name for a shop.

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Taking a break.

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Nice juxtaposition.

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Another cyclist.

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Mischievous dino – I thought the colours went well together.

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The street art is gorgeous.

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Street art is meant to be seen with and by people.

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They had those in Paris too.

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Just another day for her.

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A reminder that I need to get closer.

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At Brick Lane, the street photographs present themselves one after another.

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I can’t click fast enough.

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This place is a visual cornucopia.

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And I saw this – an exhibition of Singaporean art at Brick Lane.

As it turned out, I bumped into Randy Chan, the curator of the exhibition. I recognized him from a photo in a newspaper report on the exhibition.

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More on Singapore: Inside Out in another post.

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Funny.

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I couldn’t resist a final shot at the entrance of this excellent place.

Thanks for reading!

Camera: Canon 600D

Lens: Canon 40mm f/2.8 STM

London’s Underground, British Museum

I was in the tube when I saw him.

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Very elegant, I thought.

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No one noticed.

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My camera’s shutter click was inaudible in the tube.

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Do I dare take another shot?

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OK – last one.

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Outside the British Museum.

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Inside the British Museum.

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At the Gloucester Road Station… or was it South Kensington?

Thanks for reading!

Camera: Canon 600D

Lens: Canon 40mm f/2.8 STM

London Street Photography

There’s no method to this madness called street photography.

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At Trafalgar Square: a straightforward shot.

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We’re all distracted people.

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Admiring Cezanne at the National Gallery.

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Consuming Monet.

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Blurry man against blurry painting.

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Around the Bloomsbury area – the lines “made sense” to me.

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A busy shot at the Covent Garden Market.

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T-shirts!

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Time for a sip.

Thanks for reading!

Camera: Canon 600D

Lens: Canon 40mm f/2.8 STM

London’s South Bank

At London’s South Bank.

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Cool dude.

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Cool dude.

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Life is a tragicomedy, of course.

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The cavernous basement at Tate Modern.

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A couple admiring Cy Twombly.

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Artist at work.

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A copy of a copy.

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A copy of a copy of many copies.

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Again, at the cavernous basement.

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Two beer or not two beer … my answer is very clear.

Why is this a question?

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Cool dudes.

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The obligatory landmark snapshot.

 

 

Camera: Canon 600D

Lens: Canon 40mm f/2.8 STM

Exhibition Road, London

I was in London for a few days for a conference and of course, I brought my cameras along.

This was taken along Exhibition Road.

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Here’re some shots in the museums along the road.

At Natural History Museum:

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Roar.

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Funny juxtaposition.

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The above was at the Science Museum.

There’s a line of tension marked by the positions of the people.

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At the Victoria and Albert Museum.

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I think it looks better in monochome.

Thanks for reading!

 

Camera: Canon 600D

Lens: Canon 40mm f/2.8 STM

 

 

Visions and Revisions (2 of 2)

We look again.

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We are on a quest.

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Where are the keys to our lives?

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We look up.

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We look again.

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Sometimes we do not look.

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We’re too involved in ourselves.

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And then you’re challenged by a look.

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You look elsewhere.

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Anything to recompose yourself.

 

Camera: Contax TVS II

Film: Fuji Superia 400

 

 

 

Visions and Revisions (1 of 2)

I happened to chance on a folder I tucked away a few months back.

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I remember not being satisfied with the pictures.

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I though the colours were a bit off.

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Then I looked again and decided they’re pretty okay after all.

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This is Hong Kong.

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This is Hong Kong.

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This is Hong Kong.

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Sometimes a door opens.

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And we see ourselves as we truly are.

 

Camera: Contax TVS II

Film: Fuji Superia 400

 

 

Thingification

What happens when you choose not to place people at the centre of things?

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It’s a bit unsettling when humans are placed at the periphery.

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We cannot help but still do so – the above is still a photograph about human activity.

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Keyboards are for hands, pedals for feet.

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We love our things.

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We frame ourselves with things.

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We wait for things.

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We work with things.

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We are things.

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Some things out-wait us.

 

 

Camera: Spotmatic F

Lens: Super-Multi-Coated Takumar 35mm F 3.5

Film: Fujifilm Superia Venus 800