Street Exhibits at Admiralty

This is getting obsessive, I know. But I can’t help but think it’s important to document these sites.

They aren’t going to be here forever.

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I think these are supposed to resemble corpses, indicating that the protesters would be waiting here till they die.

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An installation of a protester.

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(Very) rough translation: Respect Hong Kong’s right to decide.

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The umbrellas.

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The hope of a generation.

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A closer look.

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Another installation. There were many of these on the road.

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Learning from history and literature – is it possible to argue against the above banner?

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Umbrella revolution – a work in progress.

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Hmm…

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The writing on the wall.

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A minion!

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A balloon with inverted umbrellas.

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Message behind bars.

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There are so many banners.

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The people continue to speak.

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Still waiting.

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Building a community.

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If I’m not wrong, that’s the traditional practice of using a slipper to slap a picture of your enemy.

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That’s a pretty strong statement.

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That’s what it’s about.

Thanks for reading!

 

 

Camera: Contax TVS II

Film: Fuji Venus 800

 

 

 

Mong Kok at Night

This is what night looks like in Mong Kok.

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Needless to say, there’re many people here who’re simply walking about, looking at the exhibits.

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They’re fascinating.

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I’ve come to think of this place as a temporary museum of sorts.

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There’s no shortage of onlookers.

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And it sets us thinking.

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About what it would take before people take to the streets.

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People are waiting.

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People are reading.

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People are living a life.

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Elegance is an attitude.

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Attitude.

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Attitude.

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Ever ready attitude.

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Rough translation: No one knows when we’ll arrive at the destination of democracy, or even if there will be such a day; but today, if we’re able to take a step, we’ll take that step.

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A beautiful umbrella – one of many.

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There’re always reminders of how this might end.

Thanks for reading!

 

Camera: Canon 600D

Legacy Lens: Vivitar 24mm f 2.8

 

 

 

 

 

 

Street Colours at Admiralty

Do you hear the people sing?

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Singing the song of angry men?

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It is the music of the people

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Who will not be slaves again

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When the beating of your heart

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Echoes the beating of the drums

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There is a life about to start

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When tomorrow comes.

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Do you hear the people sing?

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Singing the song of angry men?

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It is the music of the people

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Who will not be slaves again

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When the beating of your heart

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Echoes the beating of the drums

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There’s a life about to start

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When tomorrow comes.

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Do you hear the people sing?

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Singing the song of angry men?

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It is the music of the people

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Who will not be slaves again

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When the beating of your heart

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Echoes the beating of the drums

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There’s a life about to start

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When tomorrow comes.

 

 

Camera: Canon 600D

Legacy Lens: Meyer Optik Gorlitz Lydith 30mm f 3.5

Song: “Do you hear the people sing” from the musical Les Misérables

 

 

Causeway Bay Monochrome

There’s a road map.

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Is anyone reading?

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Is anyone listening?

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There are prayers.

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We’re reading.

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So much to think about.

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The work of waiting.

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The work of gesturing.

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Do not forget.

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Keep on remembering.

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Teach the young.

 

Camera: Leica M6

Lens: Voigtlander 35mm F 1.4 Nokton Classic SC

Film: Ilford XP2

Colours at Causeway Bay

The protesters at Causeway Bay are still there, waiting.

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Hope expresses itself in so many ways.

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There’s festivity in the colours.

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Hope is in the air.

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The students are doing their homework, taking up the work of creating a home.

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The umbrellas will not let us forget.

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The tents will not let us forget the future of Hong Kong.

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So many messages are being sent.

 

 

Camera: Canon 600D

Legacy Lens: Meyer Optik Lydith 30mm f 3.5

 

 

 

 

 

 

 

 

 

 

Street Colours at Mong Kok

Another day on the streets of Mong Kok.

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It’s different every time.

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I’m pretty sure the above weren’t here the other day.

This is the work of bricolage – the art of making do.

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The details change.

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But the task of reading and understanding goes on.

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What Hong Kong wants is not very hard to understand.

Umbrellas, society and home – who doesn’t want those?

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Perhaps the barricades could be a bridge some day.

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There’re mobile libraries here.

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A community serving a community.

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We’ve to learn to read.

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There’s a willingness to do the work of waiting.

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Cheeky umbrellas.

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The minions are still waiting with good humour.

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The umbrellas descend.

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Mong Kok has a new look these days.

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Again, humour.

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Waiting.

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Some more humour. True democracy is a fortress.

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There’s a message here to be deciphered.

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Safety.

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There’s healing waiting to be done.

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The police love Hong Kong too.

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If there is no love, respect and peace, there’s no Hong Kong.

What else can we do, except to pray for wisdom on all sides.

 

Camera: Canon 600D

Legacy Lens: Meyer Optik Gorlitz Oreston 50mm f/1.8

 

 

Mong Kok: Colourful Preoccupations

Mong Kok has become colourful and purposeful.

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Something is waiting to happen.

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The answer, my friend, is blowing in the wind…

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Waiting.

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Intentions.

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It’s all on the wall.

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The barricades.

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Even the minions are here, patiently manning the barricades.

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We’re all tourists here.

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The lion wants true universal suffrage.

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The people are here to stay.

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Resting.

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Reading.

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The umbrellas were indeed open at 6p.m., 28th October, to remember the teargas used by the police on the protesters a month ago.

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It says “Stop unethical policing”, not “stop policing”.

There is still a need for law and order.

 

Camera: Canon 600D

Legacy Lens: Meyer Optik Gorlitz Lydith 30mm f/3.5

 

 

What Hong Kong Wants

I’ve been to the various protest sites over the past three weeks at various times.

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They keep changing.

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They keep changing simply because it is the nature of the protests.

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They require a constant infusion of people, energy and creativity, of which Hong Kong has in abundance.

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Hence, I kept raising my camera to my eye.

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These were taken at Mong Kok about three weeks ago.

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There is a need to see, understand and document.

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What Hong Kong wants – that’s not very difficult to understand.

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The writing is very clear.

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What Hong Kong will get, no one knows at this point.

We don’t really have a bird’s eye view.

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All one could do is to keep asking.

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And be willing to do the hard work.

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Sacrifice, toil and labour.

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And pray that something good will come out of it.

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The work of waiting and keeping watch goes on.

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And there’s always hope.

History will be the judge.

 

All images were taken with the Contax TVS street camera and converted into monochrome from a single roll of Fuji Superia 800 film.