Tai Po Market Area

That’s the bustling area near Tai Po Market MTR Station.

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The trick I suppose with street photography is to find a place that is bustling and yet not too crowded so you could walk and stop comfortably without being too conspicuous.

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Lots of metaphorical possibilities here.

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Tree + building + bamboo scaffolding = Hong Kong!

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Rectangular grids.

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It’s a hot day.

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A shredded plastic bag as leading line.

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Yummy watermelons!

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Longans!

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Street exhibition.

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Let the buildings speak.

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Hard at work.

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I managed to take all these shots before my Contax TVS II decided to call it a day. The shutters stuttered and died.

I’ve been to a few repair places and was told, well, that’s the story of vintage electronic film cameras. Sigh.

And guess what … it’s loaded with one of my few remaining rolls of the discontinued Kodak BW400CN.

Sigh.

Oh well … at least I have one more working TVS II and another TVS I…

Camera: Contax TVS II

Film: Kodak BW400CN

 

On Being Careless

To be interested in street photography is to be careless.

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The above might look better if the boats were cut out of the photograph. The subject would be clearer.

But the eyes don’t always discriminate properly.

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Found scenes are things as they are.

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Boats and paths as they are.

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A child as he is.

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There’s an accommodation of sorts.

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An ordering of nature.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Kodak BW400CN

On Sense and Sensibility

What, really, is there to talk about when it comes to street photography?

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In the end, we’re capturing our selves.

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And the constraints that shape us.

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Street photography is another way of thinking.

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Another way of looking.

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Sometimes the scene seems a bit bare.

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Until one encounters a human figure.

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The art is long and life so short.

In the meantime, my exhibition is still on-going – come by if you’re in the area.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Kodak BW400CN

Mindful Platitudes with Street Photography

What is the next step on the journey?

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Where should one go?

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What is your work building up to?

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Is it all in vain?

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Am I willing to own my mess and work with it?

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Perhaps there’s a need to sit down in the midst of things and regroup.

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Illumination can only emerge where there is darkness.

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You’ll find your own way.

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Look for the good stuff.

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And wait until it all becomes meaningful.

Camera: Contax TVS II

Film: Kodak BW400CN

Looking for Inspiration

Inspiration – that sudden realization.

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Some find it in trees.

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Others find it in rocks.

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Many find it in the interaction between the built and natural environment.

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There’s a biblical angle to inspiration, akin to revelation.

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What is the street asking of me these days?

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What is my street?

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Is it an impersonal grid?

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Is there a personality emerging?

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Where is the street these days?

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These are all reflections of our selves.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Kodak BW400CN

What We’re Looking For

We’re all looking for something.

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There’s a gap in our lives.

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If only that gap could be filled, we’ll be happy.

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We all want something.

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Anything.

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A friend.

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A thing.

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To whet an appetite.

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After that, the world would make more sense.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Kodak BW400CN

Let the People Walk

Stand at a corner and look confused.

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Fumble with my camera long enough and someone will walk past.

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I’ll look a bit lost and confused and frown at my camera.

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I wasn’t holding the camera to my eye.

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Another favourite activity: aim at the window.

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And let people get in my way.

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I’ve come to appreciate photographs that look like they were taken accidentally.

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Street photography is an art that requires artlessness.

Camera: Leica M6

Lens: Voigtlander Nokton Classic 35mm f/1.4 SC

Film: Kodak BW400CN